Weekend Wrap-Up: American Idol's Pia Has Date (and Maybe a Record Deal), Sister Wives Having a Baby

[unable to retrieve full-text content]AMERICAN IDOL, Pia ToscanoToo busy fist pumping the weekend away like our most valuable partiers Snooki and J-Woww to catch up on the latest entertainment news? No worries. We've got it all right here. MORE:...

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The Price Is Right, Now It?s Time To See How The iPad Newsstand Really Does

Lost amid the uproar over Apple's in-app model change was that fact that their new in-app subscription service creates the first real opportunity for news publications to thrive in the Internet-connected world. Why? It's connected to iTunes (and as such, millions of credit cards) and it's extremely simple. But due to some of Apple's demands ? namely, that customers be in control of offering up their own information ? publications have been slow to adopt the new service. So it hasn't really been put the the test. But it's about to be. Earlier today, Bloomberg Businessweek released their iPad app. Along with it comes a subscription option administered by Apple. You have one choice: after your one free trial issue, you must subscribe for a monthly fee. The cost? $2.99. Yes, for the entire month. It's almost shocking because it seems downright fair.

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Catch Me If You Can: Theater Review

The Bottom Line

This musical adaptation of the Steven Spielberg film scores on showmanship but shortchanges its lead character.

Venue

Neil Simon Theatre, New York (runs indefinitely)

Cast

Norbert Leo Butz, Aaron Tveit, Tom Wopat, Rachel de Benedet, Linda Hart, Nick Wyman, Joe Cassidy, Timothy McCuen Piggee, Brandon Wardell, Rachelle Rak

Director

Jack O?Brien???

NEW YORK ? The super-slick new musical from the Hairspray team boasts superb craftsmanship, sophisticated design work, tuneful songs in a breezy range of ?60s styles and a deluxe cast. So why does Catch Me If You Can stubbornly refuse to soar until it?s almost over?

The fault is not in the execution. Director Jack O?Brien?s staging and choreographer Jerry Mitchell?s tight, sexy dance routines practically hum with precision. The challenge is the source material itself.

Based on the 2002 Steven Spielberg movie, which starred Leonardo DiCaprio and Tom Hanks, the show chronicles the true adventures in crime of Frank Abagnale Jr. (Aaron Tveit). Before being captured in the mid-1960s while not yet 20, Frank had spent two years bouncing checks across the globe, passing himself off as a Pan Am pilot, a doctor and a lawyer. That makes him an elusive character, which is a great quality in a con man, but not always so great in a musical-theater protagonist, even if it did work for Harold Hill in The Music Man.

More than who or what Frank is, however, the problem is the way he?s presented. Late in the show, we come to see him as a lost boy, trying on multiple identities in an attempt to fill the void of his broken family. But such insight comes less through Frank himself than through Brenda (Kerry Butler), the young nurse with whom he falls in love in an underdeveloped romance. Her surging 11 o?clock number, ?Fly, Fly Away,? packs more emotional charge than the rest of the show combined.

O?Brien and book writer Terrence McNally do a tidy job of conveying the shifting locations and compressing the cat-and-mouse story of Frank?s capers and his dogged pursuit by FBI agent Carl Hanratty (Norbert Leo Butz) into a brisk narrative. Their main expedient is Frank?s fantasy, upon being apprehended at Miami airport, of his life as a lavish TV variety spectacular. That framing device is fun, even if it?s one more element that distances us from the central character.

In hurtling from one snappy number to the next, O?Brien and McNally skim over the heart of the material, denying us a deeper connection to Frank. The IRS woes and money mismanagement of his father, Frank Sr. (Tom Wopat); the loss of their home; the infidelity of his French mother, Paula (Rachel de Benedet); his parents? divorce and custody hearing; Frank Jr. running away at 16 ? these formative episodes are all played for speed, not pathos. Frank is clearly a chip off the old block, but despite Wopat?s tender work, their bond doesn?t resonate until much later.

What we get is Frank?s restless adventure, without sharing the unhappiness that drives his escape. Just one reflective song might have fixed this. Instead, all the glossy musical numbers make his exploits a lark in which the audience has no stake. He jumps from success to success without suspense or tension because for too long, there?s no real threat of exposure. It may also undermine Frank?s hold on our affections that the first genuine showstopper goes to Hanratty, with Butz unleashing his inner Cab Calloway on the rousing ?Don?t Break the Rules.?

Act I closes on ?My Favorite Time of Year,? an intimate telephone duet in which the odd kinship between Frank and Carl is suggested. That poignancy is gradually amplified in the superior second act, when Frank finally unmasks something of himself in the penultimate number, ?Good-Bye.? But it?s too little too late to make the show as satisfying as it might have been.

There?s nonetheless much to savor in a production polished to a high sheen. Marc Shaiman and Scott Wittman again prove themselves an ace songwriting team. Their score evokes cocktail lounges, glitzy floorshows, Rat Pack suaveness, mellow jazz and energized go-go, all wrapped up in Shaiman and Larry Blank?s silky-smooth ?60s-styled orchestrations. And Mitchell?s choreography puts a vigorous period-appropriate spin on every number.

David Rockwell?s sleek set is dominated by an onstage orchestra stand and cascading show curtains, enhanced by witty details to signal different locations. Costumer William Ivey Long dresses the performers sharply, and Kenneth Posner?s lighting expertly juggles Vegas flashiness with noirish shadows.

The cast is top-notch. In an understated turn, Wopat conveys the painful disappointment beneath Frank Sr.?s bravado, while de Benedet quietly suggests self-reproach even as her character disdains introspection. Linda Hart and Nick Wyman get comic mileage out of Brenda?s parents, and while Butler is under-utilized, she?s affecting in her limited stage time, making her one number count.

As Hanratty, Butz (a Tony winner for Dirty Rotten Scoundrels) does nuanced work balancing the jaded, paunchy slob with the wisecracking professional, driven in his quest to catch Frank yet plagued by the melancholy awareness that his job is his life. The boyishly handsome Tveit, who turned heads in Next to Normal, graduates to a lead role with sparkling self-assurance, strong pipes and natural charm. He makes it easy to like Frank, even if the show makes it hard to love him.

Venue: Neil Simon Theatre, New York (runs indefinitely)
Cast: Norbert Leo Butz, Aaron Tveit, Tom Wopat, Kerry Butler, Rachel de Benedet, Linda Hart, Nick Wyman, Joe Cassidy, Timothy McCuen Piggee, Brandon Wardell, Rachelle Rak
Director: Jack O?Brien
Music: Marc Shaiman
Lyrics: Scott Wittman, Marc Shaiman
Book: Terrence McNally, based on the DreamWorks motion picture
Set designer: David Rockwell
Costume designer: William Ivey Long
Lighting designer: Kenneth Posner
Sound designer: Steve Canyon Kennedy
Choreographer: Jerry Mitchell
Music director: John McDaniel
Orchestrations: Marc Shaiman, Larry Blank
Presented by Margo Lion, Hal Luftig, Stacey Mindich, Yasuhiro Kawana, Scott & Brian Zellinger, Rialto Group, Araca Group, Michael Watt, Barbara & Buddy Freitag, Jay & Cindy Gutterman/Pittsburgh CLO, Elizabeth Williams, Johnny Roscoe Productions/Van Dean, Fakston Productions/Solshay Productions, Patty Baker/Richard Winkler, Nederlander Presentations, Warren Trepp, in association with Remmel T. Dickinson, Paula Herold/Kate Lear, Stephanie McClelland, Jamie deRoy, Barry Feirstein, Rainerio J. Reyes, Rodney Rigby, Loraine Boyle, Amuse Inc., Joseph & Matthew Deitch/Cathy Chernoff, Joan Stein/Jon Murray, 5th Avenue Theatre

Source: http://feedproxy.google.com/~r/thr/reviews/film/~3/HafGOorrFgs/catch-me-you-can-theater-176795

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HTC Flyer hits UK pre-order status at ?600, comes with 3G and 32GB of storage

The one Android tablet that isn't riding NVIDIA's Tegra 2 dual-core chip and Google's Honeycomb iteration (but might still be worth buying) has this weekend become available to pre-order in the UK. The Carphone Warehouse is listing a £600 ($983) fee for owning the HTC Flyer, which is more or less a match for the €669 price Amazon.de is offering to German slate lovers. In exchange for a dozen rose-tinted notes with the Queen's face on them, you'll get a 7-inch, 1024 x 600 display, encased in an aluminum unibody case and powered by a 1.5GHz Qualcomm chip. HTC's Sense UI has undergone some tablet-friendly tweaks and there is of course that Scribe stylus to flex your artistic muscles with. 3G connectivity and 32GB of storage flesh out the Flyer's hardware offering, while the underlying Android Gingerbread OS is promised to get a Honeycomb-flavored update, most likely some time this summer.

HTC Flyer hits UK pre-order status at ?600, comes with 3G and 32GB of storage originally appeared on Engadget on Mon, 11 Apr 2011 07:15:00 EDT. Please see our terms for use of feeds.

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Little Tikes 2-in-1 Snug 'n Secure Swing Blue | Articles Reviews

Product Description
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Q&A: What issues should be covered in a mental health care plan ...

I just feel I do not need the help. My housing situation is fine. Finances are ok. I refuse a support worker because I do not want the hassle and my meds are good. So if I go what should I say?

House panel OKs tighter care worker rules
SPRINGFIELD ? Health care workers convicted of sex crimes or forcible felonies would lose their licenses under legislation a House committee approved today.
from ?

Related posts:

  1. What do I need to do, to become a mental health care worker in an NHS hospital? ? Questions
  2. Q&A: why does Scotland have free education and elderly health care but England does not?
  3. Questions: TURKEY ? is my european health insurance card accepted ?
  4. Mental Health Act
  5. Questions & Answers: Where is the resident mental health care nurse?

Source: http://www.healthfitnessarticles.net/4578/

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Essential Vs. Not: Which Jobs Wouldn't Shut Down?

In Washington, D.C., and at federal agencies across the country, the big question employees are asking on the eve of a possible government shutdown is: Am I essential or not? Workers and agencies that are deemed essential will be kept on the job if a shutdown occurs.

The Obama administration says the government agencies that will remain open fall into two broad categories. Most are those necessary for the protection of life and property ? including the military, law enforcement such as the FBI and the Drug Enforcement Administration, the Border Patrol. The Federal Aviation Administration, whose air traffic controllers are essential to keep airlines flying, will be on the job, as will the Transportation Security Administration to screen passengers for those flights.

People are really steaming about this. They feel it's political theater and they are not only concerned about their jobs, their mortgages, their bills, their paycheck ? but they also know how devastating these shutdowns are to programs they believe in.

Other agencies open are those that have outside sources of income or user fees. That would include the Post Office. Social Security checks will continue to go out, since it's a system that's largely automated. Medicare benefits would be paid. And tax refund checks will go out, for those who filed electronically, according to IRS Commissioner Doug Shulman.

"In the event of a shutdown, people really should file electronically, because most of these returns are processed automatically and will not experience any delays," Shulman says. "However, taxpayers who file paper returns will experience some delays if we end up in a government shutdown."

The Obama administration says about 30 percent of tax returns are filed on paper. And it says those pesky tax audits will be halted if there is a shutdown.

Federal courts will remain open, since they too rely on the fees they collect for operating expenses. And while the Supreme Court will be open, it isn't in session anyway.

The government says clinical trials currently under way at the National Institutes of Health will continue, but new ones won't be started. And there are a lot of gray areas where it's unclear if government-funded activities will continue.

Roy Meyers, a political science professor at UMBC in Baltimore, points to animal testing that is conducted at FDA labs. "It would be my strong assumption that those FDA employees would be allowed to stay," he says.

So really the decisions have to come down to those fine details about whether an individual's presence on the job is truly essential to carry out that activity, or whether he or she can in effect return to that activity whenever Congress and the president agree on whether to provide funding.

What is frustrating for government employees on the eve of a possible shutdown is that many have no idea whether their jobs are deemed exempt from a shutdown, says John Gage, president of the American Federation of Government Employees, the largest federal employee union.

"Employees are apparently going to be told to report to work Monday," Gage says. "Then they will be released, and those who are nonessential, nonexempt will be released and the other ones will be told to stay."

Gage's union filed suit against the Obama administration this week, demanding details of the agencies' contingency plans for a shutdown. Federal employees who work during a shutdown will be paid eventually. It will be up to Congress to determine whether those who are furloughed will be paid. Military personnel who remain on the job are certain of being paid, but when is unclear. Many could miss a paycheck if the shutdown continues for any length of time. Gage says none of this is fair to federal employees.

"People are really steaming about this," he says. "They feel it's political theater and they are not only concerned about their jobs, their mortgages, their bills, their paycheck ? but they also know how devastating these shutdowns are to programs they believe in."

Still, with so many federal agencies deemed essential, it's unclear whether most Americans will even notice if the government is shut down.

Source: http://www.npr.org/2011/04/07/135199130/essential-vs-not-which-jobs-are-exempt-to-shutdown?ft=1&f=1014

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House Votes To Repeal Internet Access Rules

House Republicans adamant that the government keep its hands off the Internet passed a bill Friday to repeal federal rules barring Internet service providers from blocking or setting different prices for some uses of their networks.

Republicans, in voting to repeal rules on "network neutrality" set down by the Federal Communications Commission, said the FCC lacked the authority to promulgate the rules. They disputed the need to interfere with an already open Internet and warned that the rules would stifle investment in broadband systems.

"The FCC power grab would allow it to regulate any interstate communication service on barely more than a whim and without any additional input from Congress," said Rep. Greg Walden, R-Ore., sponsor of the legislation. The Internet, he added, "is open and innovative thanks to the government's hands-off approach."

But in what has become a largely partisan battle, the Democrat-controlled Senate is not expected to go along with the House. Even if it cleared Congress, the White House has threatened to veto a bill it said puts in doubt whether "the democratic spirit of the Internet will remain intact."

Rep. Henry Waxman of California, top Democrat on the Energy and Commerce Committee, said nullifying the FCC rules would "give big phone and cable companies control over what websites Americans can visit, what applications they can run and what devices they can use."

The vote to pass the bill, mainly along party lines, was 240-179.

The FCC rules were adopted on a 3-2 vote last December after years of debate over the federal role in ensuring a free and open Internet. The FCC's three Democrats voted in support and its two Republicans opposed.

While generally seen as a compromise between technology companies fearing provider limitations on their access to the Internet and the big phone and cable companies insisting they need flexibility to manage Internet traffic, the rules drew a quick legal challenge from Verizon Communications Inc., which said the FCC had overstepped its authority.

A year ago a federal appeals court also ruled that the FCC exceeded its authority in sanctioning Comcast Corp. for discriminating against online file-sharing traffic Comcast said was clogging its network.

The rules prohibit phone and cable companies from favoring or discriminating against Internet content and services, including online calling services such as Skype and Web video services such as Netflix that could compete with their core operations. They require broadband providers to let subscribers access all legal online content.

They do give providers flexibility to manage data on their systems to deal with network congestion and unwanted traffic as long as they publicly disclose those practices. They do not specifically ban "paid prioritization," where a provider might charge more for faster transmission of data, but they outlaw "unreasonable network discrimination."

Wireless carriers are also barred from blocking access to any websites or competing services, but they are given more leeway to manage data traffic because wireless systems have less network bandwidth.

Even supporters acknowledged that the rules are mainly about preserving the status quo of a system that is generally working well.

But absent the rules, said Rep. Jared Polis, D-Colo., "there would be a major shift in power on the Internet to the broadband providers from the content providers."

He said there was legitimate fear among nonprofit and religious groups that they would be consigned to a lower tier because they could not pay a higher price for premium service. "So your Web page from Nike might load faster than your Web page from the Catholic Church because, if there was tiered access, who would be more likely to pay for the speed of the access?"

He also cited the actions of autocratic states such as China in blocking Internet content in saying the government must make clear that providers cannot discriminate against customers because of political or philosophical differences.

Source: http://www.npr.org/2011/04/08/135247658/house-votes-to-repeal-internet-access-rules?ft=1&f=1019

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Drift towards policy making that makes sense (Guardian)

More legal firms are dabbling in thinktanks and policymaking but they may be overlooking the benefits of more academic study, says Alex Aldridge Recently some of the biggest names in law have been getting together in an office on Chancery Lane to discuss weighty legal issues until late in the evening. "It's a bit like being called up to play for England," says criminal barrister John Cooper QC, one of 14 members of the invitation-only legal thinktank Halsbury's Law Exchange ? set up last summer by legal publisher LexisNexis. It is the latest example of a slow-burning trend among practising lawyers to involve themselves in policy, dating back to 1992 when City law firm Clifford Chance launched its "public policy unit". The move was followed by rival DLA Piper ? whose EU public affairs team is led by the deputy PM Nick Clegg's wife, Miriam Gonzalez ? before last year Allen & Overy unveiled a Global Law Intelligence Unit, concerned with the development of international commercial law. As you might expect from bodies closely affiliated to commercial organisations, much of their output is self-serving. Clifford Chance's tracking of the recent European court case over the use of ...
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